Unless you’re from the tail end of Generation Z, you at least know what Stephen King’s It is about already. The question is if the new film is a worthy take on the classic novel, which had only been filmed once as a well-known 1990 TV mini-series. Spoiler alert: I did give in to nostalgic curiosity and re-watched the original version before viewing this new one. Don’t worry: although I’d long revered it as a fearful preteen back then, I was shocked to find now that it was rather underwhelming—a mild, moody drama with some decent scares thrown in.
So I was primed and as objective as possible to the prospective terrors of an ambitious new take from the best that Hollywood has to offer today. From the opening scenes in the film that lead to the introduction of Pennywise the clown, otherwise known as the title namesake It, the movie looked promising.
Unfortunately, it didn’t exceed expectations from there. First off, Pennywise the clown is the centerpiece of the entire story, hence the title. Without his terrifying image or concept of menacing evil, the story isn’t effective. Not to sound like a purist, but for lack of a better example: the original Pennywise played by Tim Curry in the mini-series was far more sinister. Although his looks were barely a step away from a typical birthday clown, that’s what made him frightening: he was plausible. Here was a clown that could exist in your neighbor’s backyard, surrounded by innocent children—yet there was a studied vitriol to his gaze and a barely controllable sneer to his painted red lips. When he opened his mouth to lunge at last—that spray of razor sharp teeth only solidified our very fears. The new Pennywise, played by Bill Skarsgard, is so stylized he’s as flat as a joker from a playing card. And as engaging. His appearances are not particularly memorable and are often upstaged by the other manifestations of “fears” that he lobs towards his victims, in the forms of an abusive father, a distorted painting of a woman, and a headless child from a history book.
What about the rest of the characters? The story centers around a gang of “losers” in the late 1980s: seven misfits from the local junior high in Derry, Maine, who congregate as a means of survival from the social hierarchy of their peers—and eventually, from the deadly curse that Pennywise has inflicted on the town for nearly a century. The child actors that portray them are all competent, but only three of the characters are given any distinct personalities that leave an impression: Bill, the stuttering de factor leader and protagonist who wants to resolve the death of his little brother from the opening of the film, is appealing and bright. The group’s lone female member, Beverly, stands out not just for being a girl—but because she gets the most screen time to develop her troubled back story that includes an abusive, preying father. Richie, the loudmouth comic relief of the group, is memorable by default because he’s the most vocal and biting. The rest of the kids aren’t fleshed out particularly well—they end up being ciphers who just provide physical power and exposition to the story.
As for the story itself, it lags in places and could have benefited from more urgent pacing—given this is a horror story, where timing is of the essence. Although the film is inevitably going to lapse into some preteen requisites, which is fine for the sake of character and plot development: crushes, friendships, betrayal, etc.—the overall story suffers as a result. Although the original novel was sprawling, it somehow seemed too unnecessarily long onscreen.
It’s fitting that this movie takes place in the 1980s because the special effects for the film seem to be right out of that era, almost. Although visual effects should never be relied on to propel a horror film—they are surprisingly disappointing and innocuous in this movie, given today’s technological advances. Since the movie suffered from middling pacing as well, that left for very little to keep me at the edge of my seat. By the time the movie hit its climactic standoff between Pennywise and the brave, bereaved kids, I gave up my search for something truly terrifying to materialize.
Overall, I don’t think this film will join the pantheon of truly classic horror films in my eyes. The hype clearly overshadowed the actual execution of the story onscreen. It ended up just being another underwhelming horror flick.